Toutes peintures ā l'huile d'Francesco Granacci
ID Image Painting(From A to Z)    Details 
28896  
Francesco Granacci, A Female Saint in Front of a Judge
  		 A Female Saint in Front of a Judge   mk65 Oil on panel 15 3/8x21 11/16in Accademia
83278  
Francesco Granacci, Entry of Charles VIII into Florence
  		 Entry of Charles VIII into Florence   Date 1518(1518) Medium Oil on panel cjr
29838  
Francesco Granacci, Joseph Presents His Father and Brothers to Pharaoh
  		 Joseph Presents His Father and Brothers to Pharaoh   mk67 Oil on panel 37 3/8x88 3/16in Uffizi,Gallery
97724  
Francesco Granacci, Madonna and Child with St John the Baptist
  		 Madonna and Child with St John the Baptist   circa 1515(1515) Medium oil on panel Dimensions 44.5 x 35 in cyf
29839  
Francesco Granacci, Madonna della Cintola
  		 Madonna della Cintola   mk67 Panel 118 1/8x 71 1/4in
42995  
Francesco Granacci, Portrait of Man in Armour
  		 Portrait of Man in Armour   mk170 circa 1510 Oil on wood 70.5x51.5cm
28895  
Francesco Granacci, The Martyrdom of St.Apollonia
  		 The Martyrdom of St.Apollonia   mk65 Oil on panel 15 3/4x23 1/4in
98042  
Francesco Granacci, Un model
  		 Un model   1894(1894) Medium oil on canvas Dimensions 154 x 100 cm cyf
Francesco Granacci
1477-1543 Italian Francesco Granacci Galleries Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite. His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist. In 1508, Granacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. The two artists were lifelong friends. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X.



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